Historically a copper etching

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{"type":"standard","title":"Douglas A. Hartwick","displaytitle":"Douglas A. Hartwick","namespace":{"id":0,"text":""},"wikibase_item":"Q5301180","titles":{"canonical":"Douglas_A._Hartwick","normalized":"Douglas A. Hartwick","display":"Douglas A. Hartwick"},"pageid":29350073,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/1/19/Douglas_Alan_Hartwick.jpg","width":200,"height":279},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/1/19/Douglas_Alan_Hartwick.jpg","width":200,"height":279},"lang":"en","dir":"ltr","revision":"1279846032","tid":"5fa7e610-fe02-11ef-b05b-81e423f96ec6","timestamp":"2025-03-10T22:52:42Z","description":"American diplomat","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Douglas_A._Hartwick","revisions":"https://en.wikipedia.org/wiki/Douglas_A._Hartwick?action=history","edit":"https://en.wikipedia.org/wiki/Douglas_A._Hartwick?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Douglas_A._Hartwick"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Douglas_A._Hartwick","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Douglas_A._Hartwick","edit":"https://en.m.wikipedia.org/wiki/Douglas_A._Hartwick?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Douglas_A._Hartwick"}},"extract":"Douglas Alan Hartwick is a business and NGO consultant, lecturer, and former senior U.S. diplomat and U.S. ambassador to Laos (2001–2004).","extract_html":"

Douglas Alan Hartwick is a business and NGO consultant, lecturer, and former senior U.S. diplomat and U.S. ambassador to Laos (2001–2004).

"}

{"type":"standard","title":"Monotyping","displaytitle":"Monotyping","namespace":{"id":0,"text":""},"wikibase_item":"Q156218","titles":{"canonical":"Monotyping","normalized":"Monotyping","display":"Monotyping"},"pageid":174256,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Antoon_Sallaert_-_Mythological_Scene_with_Apollo%2C_Fame%2C_and_the_Muses.jpg/330px-Antoon_Sallaert_-_Mythological_Scene_with_Apollo%2C_Fame%2C_and_the_Muses.jpg","width":320,"height":222},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/0/0b/Antoon_Sallaert_-_Mythological_Scene_with_Apollo%2C_Fame%2C_and_the_Muses.jpg","width":1100,"height":763},"lang":"en","dir":"ltr","revision":"1242558547","tid":"6332d1a0-6475-11ef-9968-3a7050d12944","timestamp":"2024-08-27T13:08:01Z","description":"Planographic artistic printing process","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Monotyping","revisions":"https://en.wikipedia.org/wiki/Monotyping?action=history","edit":"https://en.wikipedia.org/wiki/Monotyping?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Monotyping"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Monotyping","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Monotyping","edit":"https://en.m.wikipedia.org/wiki/Monotyping?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Monotyping"}},"extract":"Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing-press, brayer, baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones.","extract_html":"

Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to ac